Stations A. M. and B are located along a certain train route, and Station M is between Stations A and B. At noon, a train engine passed Station A traveling at a constant speed of SO kilometers per hour toward Station B. Also at noon, another train engine passed Station B traveling at a constant speed of 60 kilometers per hour toward Station A . Botli train engines passed Station M at the same time. What is the ratio of the distance along the route between Stations A and .1/ to the distance along the route between Stations A and B ?
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A candy retailer packs pieces of fudge either in boxes of 12 pieces each or in boxes of 15 pieces each. If the retailer uses only 12-piece boxes to pack a certain batch of fudge, then 1 piece will be left over. If the retailer uses only 15-piece boxes to pack the batch, then 10 pieces will be left over and the retailer will use 7 fewer boxes than when using the 12-piece boxes. How many pieces of fudge are in the batch'1
In a competition, a certain contestant scored either 2 points or 4 points in each round of the competition. This contestant's average (arithmetic mean) score for the entire competition was 3.8 points per round.
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In the figure above, the circle has center O, and AB and AD are tangent to the circle. If the degree measures of angles ABC and ADC are 20 and 40. respectively, what is the value of x + y.
Like paleontologists who interpret timescales from fossil evidence, we infer the history of star formation in the Milky Way galaxy from the heavy-element composition of its stars. According to the big bang theory of the origin of the universe, the first gas clouds—and the first generation of stars formed from them—were composed of pure hydrogen and helium; most heavier elements— iron and calcium, for example—came later, created by explosions of supernovas, massive stars in their death throes. Loaded with heavy elements, material ejected from supernovas enriched the interstellar gas clouds from which the next generation of stars formed, the level of heavy elements increasing with succeeding generations. Because most stars live for many billions of years and because the Milky Way is thus composed of multiple stellar generations, comparing the number of stars of low heavy-element abundance with those of high heavy-element abundance enables astronomers to untangle the history of star formation in the Milky Way.
The passage contains information about each of the following subjects EXCEPT the
Writing for the New York Times in 1971. Saul Braun claimed that - todays superhero is about as much like his predecessors as today's child is like his parents." In an unprecedented article on the state of American comics, "Shazam! Here Comes Captain Relevant. Braun wove a story of an industry whose former glory producing jingoistic fantasies of superhuman power in the 1930s and 1940s had given way to a canny interest in revealing the power structures against which ordinary people and heroes alike struggled following World War II Quoting a description of a course on •Comparative Comics" at Brown University, he wrote, 'New heroes are different—they ponder moral questions, have emotional differences, and are just as neurotic as real people. Captain America openly sympathizes with campus radicals.. Lois Lane apes John Howard Griffin and turns herself black to study racism, and everybody battles to save the environment."" Five years earlier. Esquire had presaged Braun s claims about comic books: generational appeal, dedicating a spread to the popularity of superhero comics among university students in their special 'College Issue." As one student explained. "My favorite is the Hulk. I identify with him, he's the outcast against the institution.'1 Only months after the NW York Times article saw print. Rolling Stone published a six-page expose on the inner workings of Marvel Comics, while Ms. Magazine emblazoned Wonder Woman on the cover of its premier issue—declaring s Wonder Woman for President'’ no less—and devoted an article to the origins of the latter-day feminist superhero.
Where little more than a decade before comics had signaled the moral and aesthetic degradation of American culture, by 1971 they had come of age as America's "native art::: taught on Ivy League campuses, studied by European scholars and filmmakers, and translated and sold around the world, they were now taken up as a new generation's critique of American society. The concatenation of these sentiments among such diverse publications revealed that the growing popularity and public interest in comics (and comic-book superheroes) spanned a wide demographic spectrum, appealing to middle-class urbamtes, college-age men. members of the counterculture, and feminists alike. At the heart of this newfound admiration for comics lay a glaring yet largely unremarked contradiction: the cultural regeneration of the comic-book medium was made possible by the revamping of a key American fantasy figure, the superhero, even as that figure was being lauded for its realism"" and social relevance."" As the title of Braun's article suggests, in the early 1970s, "relevance" became a popular buzzword denoting a shift in comic-book content from oblique narrative metaphors for social problems toward direct representations of racism and sexism, urban blight, and political corruption.
The author of the passage talks about Wonder Woman primarily to
If one item is tobe randomly selected from the items whose manufacturing cost is greater than $140. what is the probability that the item selected will be one whose manufacturing time is greater than 60 minutes?
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